![]() ![]() ![]() I preffer to focus on more joyful parts, like making editing process more intuive, looking at the emptiness, surround by sound, use tools like language, drinking with friends (too seldom), sitting on a rock, improove suicidal methods, help little girl cross the street, etc. For work there's already a good deal of time spent solving source's problems and everything has to be practical and fast also find urgent to invest in my poor human to human skills (at the sheep level right now, meeee j e je). If I want to increase the comrpession/quality ratio in detriment of speed I can go x265 and for fun 10 bit. Unless you've got an option that allows download of the original everything is recompressed and furthermore (post above) I find a slow cook of the built-in pressets is good enough. today I don't really care so much, relax max. The -vbv-maxrate and the bufsize are related to streaming bandwith and decoder's buffer, at the time remember reading about it. If I recall correctly retrospective's presset was CRF A2 was a variant I used, cannot remeber if it was VFR or constant framerate but almost for certain was within average bitrate's option. If this was helpful and you haven't done it yet, click HERE This video is a direct export (anamorphic crop works very well with handbrake also), here you cannot appreciate, but at Vimeo you'll see it has no black bars, just black cat - changed that Anyways I feed them the best I can and hope they choke from the original 1.06GB to 5 MB it's just funny. If you think the massacre that Vimeo or Youtube will take your images into afterwards. You still have the newer version option, there's a link in previous post (you'll have to build the libraries). I'll leave here the easy way, direct download of QT x264 Encoder from M圜omet (Dec 2011) The Film and Grain presets that come along with x264 library are pretty good already, of the current settings I'm testing this is what's stored in my Preset 01 - pretty much from here realworldvideocompression, still tweaking, my aim is to preserve IQ and grain, right now 720 output. Thhhhheeeee sssslllllooooooBut remember, handbrake it's superb and a free powerful little fucker =) Though I hadn't profusely tested yet, it even "feels" faster - here my friends, I mean that took between 7 to 9 times the video length to encode, so. To be able to apply LUTs directly, import captions and directly burn a watermark, timecode or file name/info onto the video are truly useful tools too. The reasons to use AME instead of Handbrake is basically lazyness, as I just skip one (export) step, it is integrated with AE and Premiere and also it's easier to define crop marks. Today I finally solved the mystery quite idiotic actually, I just placed a copy of the x264 component in the System/Quicktime folder and that's all. Also I am not interested or going to show any comparisons whatsoever, allrigch?!!įor long time now, I was unable to make AME (Adobe Media Encoder) work with the x264 Quicktime library. I have not created any presets myself, just slightly tweaked/mix one or two, my knowledge is very close to my dog's =0. I decided to settle with my trusty old handbrake. other than that is a nice sorted out mothercompresar
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